Honored to be part of ART214 in Dallas

My piece “Chemo Brain” has been juried into ART214 in Dallas.

It will be on display at the South Dallas Cultural Center (3400 S Fitzhugh Ave, Dallas, TX 75210) from April 4 through May 30th.

This year, the ART214 committee received more than 1000 submissions from artists across North Texas. The chosen artists’ work will be displayed at various venues across Dallas. Check out specific information for each venue and the artists chosen.

UPDATE, March 22:  Due to the coronavirus quarantine in Dallas, all ART214 events have been cancelled.  This piece will stay in my closet gallery for now and, perhaps, be displayed later this year or in another juried show.

Fe Fi Fo Fum

This is the latest BIG pot. Fun to create, it turned out pretty much as I wanted. It’s not a pretty pot but, hopefully, gives some people memories of childhood.

Remember all those so-called fairy tales? Yes, they had a princess and a knight. But they also had darker characters: ogres, giants and more that would scare the bejeezus out of young children. You can look at this pot in the daylight and realize that those monsters can’t hurt you.

Little Air Plants

When Significant Other and I went to Hawaii in December, we stopped by an orchid nursery. While lovely, I’m not all that crazy about orchids but I’m fascinated with air plants. So, I took out a $20 bill and bought some to bring home.

The first week, I anchored them to pieces of driftwood with copper wire. They looked fine and were even getting bigger when I discovered that copper wire is a no-no. But, little pots are fine.

I made these little pinch pots a few years ago as an experiment with crater glazes. They’re cute but not really practical … until now. They’re the perfect “home” for the air plants.

Better Late than Never

This year (2019) my hands were busy in clay rather than on my computer keyboard. But, finally, I’ve taken photos and attempted to document my pottery journey.

The pieces vary from raku and alternative firings to works in terra cotta and some random experiments.

Take a look and feel free to leave comments.  Just click on the little “conversation bubble” at the top right of this post.

2018 Texas State Fair – Part 1

Significant other and I made our yearly trek to the State Fair on Saturday, September 29th.  It was the second day of the fair and, although the skies were a bit overcast, it was a great time to visit.

We arrived early and decided to park in the handicap lot (Gate 11).  It was actually easier than parking in the valet lot at Gate 5.  Coming in this way, we passed the Chevrolet test track and the Mattress Firm tent.  We passed the back side of the Cotton Bowl where trainers and other support personnel were arriving for the game between Prairie View A&M and Grambling which was scheduled for later that afternoon.

We also saw the backside of some Midway rides.  Side note: we steer clear of the Midway because (a) we’re not interested in the games, (b) Midway is usually the most crowded spot in the Fair, (c) there are few rides we’d get on.  One that we might try is this circle on a pole.  It looks fairly harmless.  But, we were not deterred.  We pressed on and …

Our first stop was the “birthing barn” where we saw twin lambs that had been born two hours earlier.  Several other very pregnant sheep were in another pen; some very pregnant cows were across the room; and some very pregnant pigs were being kept comfortable and warm.  Newly hatched chicks were in a glass-enclosed cage while other eggs were being kept in an incubator.

We kept walking (rather, I kept walking; significant other has a wonderful red scooter) and eventually arrived at the Creative Arts Building.  With the quilts, pottery, knit and crocheted items, jarred produce, walls of photographs, it’s a feast for the eyes and, almost, overload for the senses.

We stopped at the information booth to get a list of where my pieces were displayed (with over 70 display cases, we’d be searching forever if we didn’t get a cheat sheet).  So here are photos of my pieces at the Fair.

A couple other items that caught my eye:


The butter sculpture

This fantastic dress made of pull tabs from drink cans

Picture Day

The past month, I’ve been taking a summer ceramics class at Brookhaven College in Farmers Branch. The class was Monday-Thursday for 4.5 hours each day. Needless to say, I created a lot of pottery using various techniques. New pottery = lots of pictures = new post. So here goes …

Technique 1 – Texture Using Napa Cabbage Leaves
Somehow in my pottery learnings, I neglected to use this common texture technique. So, I bought a small head of Napa cabbage and use the leaves to create several pieces. Some pieces were soda fired; others were reduction fired. In general, I’m pretty happy with the way they turned out.

Technique 2 – Sgraffito
I actually posted results of this technique earlier but here are the photos again:

Technique 3 – Mocha Diffusion
Interesting technique using slip and then dropping a mixture of mason stain/water on the slip.  These are semi-test pieces to see what the effect would be with different firing environments.  Basically, the pictures make them look better and I have some other pieces to fire.  Like using this technique and will probably do it again.

Technique 4 – Using Extruder to Create Pieces

I have an extruder that’s not used a lot.  But, every so often, I’ll run some clay through it and then see what happens.  This time, I used it to create a series of triangular shaped vases.  There are 10 vases altogether but they can be grouped in various ways, making them very versatile.

Trying Something New

I’ve always been a bit fascinated with sgraffito (Italian for scratching. The process can be simple or quite complicated. It’s basically painting a contrasting underglaze or slip on a piece of clay, and then scratching away part of the underglaze/slip to reveal the clay, creating a picture or design in the process.

So, here are several examples of sgraffito. Beginning with a black underglaze on a white clay body, I scratched the black away to reveal the white clay underneath (owl and farm animals). Then, I tried a dark clay body with a white underglaze (girl and flowers). Finally, I applied an underglaze transfer on white clay and scratched it away (cat and blue girl).

By the way, these are all wall plaques.  As always, click on a photo to enlarge it.

WooHooo!! “Forest Nymph” Accepted into CAC Juried Exhibition

My piece, “Forest Nymph”, has been accepted into the Creative Arts Center of Dallas’ 2018 Annual Juried Membership Exhibition.

Created of clay and glaze, and highlighted with metallic leaf, this forest nymph sleeps in the dappled sunshine, dreaming of adventures past and follies yet to come. The inspiration for this piece is fairytales, legends and a bit of Shakespeare (perhaps Puck).

Opening reception for the show is August 4th from 5:30 pm – 8:30 pm at the Mary Tomás Gallery, 1110 Dragon Street, Dallas, TX.  The exhibition ends September 1st.

Another Experiment – FREE Pottery

Every so often, my closets become crowded and it’s time to thin out things. I’ve toyed with the idea of having a “pottery only” garage sale but that seems like too much work. Instead, I decided to put load up a table with odds and ends and offer it FREE!!

We live on a fairly busy street; and there’s often foot traffic, too. So, here’s the table at the beginning of the day. No one actually stopped their car to gather up FREE pottery but a couple of neighbors came over and selected pieces. At the end of the experiment, half the pieces had new homes and the rest were wrapped up and put into a box for a charity drive.

Note: I didn’t actually sit and monitor who was coming by and looking.  I was surprised by what pieces were chosen and what pieces were left.

A Few New Pots

I’ve been working on a couple of ideas and wanted to see how they’d work in various clay bodies and glazes.

This first set is the Sea Life series.  (You can click on the photos to see a larger version.)

It began with the pot on the left that I created in class at Brookhaven College.  I was going for tubular growth/sea life and wanted it to be pristine.  So it was made of a cone 10 white clay (Trinity Ceramics T-Mix10) and I was planning on using a white glaze on it.  Well, I couldn’t find the white glaze; so, I dipped it in “Snow”.  Now, you’d think that a glaze called “Snow” would be white, wouldn’t you??  It’s  more gray than white but, actually, I like it better, especially the white tips on each tube.

Next, I built Sea Life: Gulf using a cone 6 red stoneware.  Then, it was glazed with Lapis Satin, Gun Metal Green and Copper Blue (Coyote glazes). The  glazes ran together; I like the result.

Finally, there’s Sea Life: South Pacific.  The clay is a black (actually dark brown) cone 6.  And, before the bisque firing, I coated the tips of the tubes with a slip/silicon carbide mixture.  You can’t really tell it’s on the pot until you add glazes and refire it.  Glazes are Matt Bronze Green all over, then Copper Blue (Coyote) sprayed on and Sea Salt (Mayco) dabbed on.   Love it!  Gotta try more of that.

Next, I wanted to try new shapes; so, I created tarpaper templates and these pots are the result of that experiment.

The main body of the pots are glazes with Coyote’s oil spot glazes.  The one on the left is Brick/Marshmallow; the one on the right is Licorice/Marshmallow.  The top/bottom accent sections are glazed with Coyote’s White Crawl.  Interesting but need to play with these concepts and glazes a bit more.